NTIMM


direction artistique

typographie[y] /graphic design /illustration

l’abc revampé

December 8th, 2009 by ntimm

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by robert samuel hanson

Blu, Smoking Politicians, Italy

December 8th, 2009 by ntimm

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via UNURTH street art

Blu, Bikes Crushing Cars, Milan

December 8th, 2009 by ntimm

via UNURTH street art

Sooner or later, what ever you love WILL become mainstream…

December 8th, 2009 by ntimm

Tous les créatifs connaissent jusqu’à un certain point le travail de Sagmeister > On aime, on aime pas, mais personne reste indifférent. Depuis longtemps Sagmeister travaille sa griffe avec une certaine dévotion particulière, ce qui lui merite une notoriété dans le monde du design graphique, de la pub. La récente pub Absolute ANTHEM est incontestablement une “inspicopie” des expérimentations typographiques de Stefan Sagmeister par l’agence TBWA\CHIAT\DAY New York.

Maintenant le débat est ouvert; Est-ce que la popularité d’un style ou d’un artiste justifie l’appropriation de sa démarche artistique dans le processus de commercialisation publicitaire?

Dans un monde gris je vois souvent noir…

Merci Marion-Isabelle pour le fil.

Absolute ANTHEM par TBWA\CHIAT\DAY New York

ABSOLUT ANTHEM from tr3nt3trois on Vimeo.

Et maintenant Stefan Sagmeister

Aussi petite parenthèse, ceci rappel le travail de Julien Vallé et Karim Zariffa intitulé Things I have learned in my life so far résultant d’un workshop intensif d’une semaine dirigé par Stefan Sagmeister à Percé en Gaspésie.

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The future belongs to the few of us still willing to get our hands dirty

December 8th, 2009 by ntimm

my motto

great idea from rolandtiangco.com

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Driving = font

December 8th, 2009 by ntimm

Two typographers ( Pierre & Damien / plmd.me ) and a pro race pilot (Stef van Campenhoudt) collaborated to design a font with a car.
The car movements were tracked using a custom software, designed by interactive artist Zachary Lieberman.

Download the font here

iQ font – When driving becomes writing / Full making of from wireless on Vimeo.

FUNCTIONAL GRAPHIC DESIGN IN THE 20′S

December 8th, 2009 by ntimm

I NEED TO GET MY HANDS ON THIS ONE!

Eckhard Neumann: FUNCTIONAL GRAPHIC DESIGN IN THE 20′S. NYC: Reinhold Publishing Corporation, 1967. First edition. Full cloth over boards in dust jacket: a near-fine or better copy with light wear overall. Interior unmarked and very clean. Classic early design work that is now sadly out-of-print.

8.25 x 8.25 hardcover book with 96 pages and 113 illustrations in b/w or two colors. This influential book was the first scholarly study to tie together the disparate elements of the European Avant-Garde (Bauhaus, Dada, Cubism, Futurism, de Stijl, etc. ) and how they related to the emerging field of Graphic Design. Highly recommended.

From the book: “This important book documents that astonishinglycreative decade — the 1920′s, with its entirely new and functional visual language. The innovative art trends of the twentieth century, which include Cubism, Futurism, and Dadism, have had a determining influence on the development of today’s visual language.”

Eckhard Neumann reveals through a clear and well-illustrated text the close historical connection between fine art and graphic design, and discusses the origins of graphic design today.”

Stop motion for STM

December 7th, 2009 by ntimm

Stop motion animation made out of paper, for the public transport system in Montreal. Direction and concept by Karim Zariffa : karimzariffa.com. The ad was created in collaboration with Sid Lee agency, assistant of Karim was Pascal Brousseau, and photography by Simon Duhamel

Stop motion for STM from Si j'aurais su on Vimeo.

and the making of :

STM making of from Si j'aurais su on Vimeo.

Max Bill and the modernization of typography

December 7th, 2009 by admin

If you love typography like I do, you will love this book about Max Bill!

Max bill considered himself primarily an architect, yet he was also an inventive and tireless creator of type fonts and commercial logos, as well as being a designer with wonderful sense of visual humor. this rich monograph gives max bill fans an extensive and inspiring look at works for which he has received little attention, in the fields of typography, advertising and book design. Today, many people consider Max to be one of the major players of Graphic Design as we know it today.

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BILL. Fleischmann, Gerd et al.
Max Bill: Typography, Advertising, Book Design.

A well produced comprehensive view into the graphic world of Max Bill. German/English.

hardcover: 304 pages
Dimensions: 8 3/4 x 11 inches, 600 color reproductions
Category: Design, Graphic Design
Binding: Cl.
Pages: 304 pp
Publisher: Niggli
Year: 1999.
Publication Place: Zurich,
ISBN: 3721203410
Book Id: 29230

You can find the book here, among many other places