un poisson dans un poisson >>>> Je me suis enfin decidé, c’est bloqué, c’est envoyé à olivier pour qu’il puisse dessiner mon prochain tattoo. Après 7 mois de réflexion… à temps partiel… j’ai trouvé une ligne directrice pour guidé l’imaginaire d’olivier de glamort. L’idée d’un poisson dans un poisson vient d’un dessin fait avec mon garçon Liam. On parle juste de l’idée et PAS l’esthétique, c’est l’image qui m’intrigue. C’est ausi une excuse pour avoir des écailles de poissons dessiner sur le bras! Le style du tattou serait traditionnel et new-school… Les deux pour jouer avec les contrastes (formes, pleins, vides, Noir, couleur). On s’entend, je ne veux pas un tattou style japonais pour les formes/poisson/animaux….C’est plutôt pour le côté texturé que j’apprécie les tattous classiques. Sinon pour les couleurs c’est beaucoup de noir et de peau, avec du rouge et du aqua….peut être du jaune pâle aussi.
J’ai vraiment hâte de voir le résultat!!!
Where else but in the Netherlands can a power plant become a landscape sculpture.
To increase the capacity of two existing power stations on the Uithof in Utrecht, a new building (6000m3) appeared. The size and construction of the building are largely determined by the technical requirements. A skin of self-supporting Cor-ten steel is folded over the machinery and the giant filters and dampers and keeps the noise pollution to a minimum. Its silhouette differs according to one’s perspective, lending the building a sculptural force in the landscape.
I’m really not a car guy, if fact I don’t own or plan on owning one, but this site made for Honda is just amazing. Take a drive on Evergreen Route and visit the road to Tokyo.
Tree Visualization est un outil amusant permettant de “mapé” le contenu de vos documents sur votre mac ou votre pc, tel un arbre généalogique. Et ce, d’une manière tant artistique que fonctionnelle.
If you love typography like I do, you will love this book about Max Bill!
Max bill considered himself primarily an architect, yet he was also an inventive and tireless creator of type fonts and commercial logos, as well as being a designer with wonderful sense of visual humor. this rich monograph gives max bill fans an extensive and inspiring look at works for which he has received little attention, in the fields of typography, advertising and book design. Today, many people consider Max to be one of the major players of Graphic Design as we know it today.
BILL. Fleischmann, Gerd et al.
Max Bill: Typography, Advertising, Book Design.
A well produced comprehensive view into the graphic world of Max Bill. German/English.
South Korean photographer Yeondoo Jung‘s series Wonderland recreates in his own way the fantastic euphoria of young children’s crayon artwork.
The gallery that showed the series a few years back explains how Jung executed his vision:
[The series] presents costumed adolescents posing in sets based as closely as possible on children’s drawings. He collaborates with many people to bring to life the boundless imagination in the drawings. For four months, Jung oversaw art classes in four kindergartens in Seoul and collected 1,200 drawings by children between the ages of five and seven. After pouring through them, he carefully selected 17 drawings and interpreted their meanings. Then he recruited 60 high school students by passing out handbills at their schools in which he invited them to act out the scenarios in the children’s drawings. In order to recreate faithfully drawing details such as dresses with uneven sleeves or buttons of different sizes, he convinced five fashion designers to custom make the clothing for the photo shoot. He also made props unlike any scale found in reality but similar to those in the drawings.
